“The roster of artists whose career has started and been nurtured at this theater
is both staggering and ever growing, as is the list of productions and creative partnerships
that continue to bolster their ongoing contribution to the theatrical landscape.”
– VILLAGE VOICE, OBIE AWARD
Pay No Attention to the Girl (2018)“… revels in the timeless and transcendent power of its source material.”
– Ben Brantley, New York Times
TMT Moves to Sunset Park (2018)
“Target Margin, since 1991, has tilted the familiar so that it becomes new and has illuminated the unfamiliar such that it resonates as completely personal.”
– Jim Knable, The Brooklyn Rail
Mourning Becomes Electra (2017)
“…faithful to O’Neill’s text while relentlessly questioning it… an interpretation of this play that feels alive right now.”
– Laura Collins Hughes, New York Times
The ICEMAN Lab (2016)
“…a smart and thought-provoking show that repeatedly upends expectations…”
– Laura Collins-Hughes, New York Times
Reread Another (2015)
“Reread is a modernist tiger with the soul of a pussycat.”
– Helen Shaw, Time Out NY
Uriel Acosta: I Want That Man! (2014)
“…a true passion for the history and variety of theater, and an awareness of that art form’s glittering evanescence… ”
– Ben Brantley, New York Times